[44994] in linux-announce channel archive
Escaping Biden’s $4.7 Trillion Tax Hunt
daemon@ATHENA.MIT.EDU (Jason Hanson)
Sat Mar 2 03:49:37 2024
Date: Sat, 2 Mar 2024 09:49:26 +0100
From: "Jason Hanson" <JasonHanson@constislim.best>
Reply-To: "Jason Hanson" <JasonHanson@constislim.best>
To: <linuxch-announce.discuss@charon.mit.edu>
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Escaping Biden’s $4.7 Trillion Tax Hunt
http://constislim.best/bIsn2ChLIm3HsMPf--s4qagRzMvbGrdk60EyPGK8OXQJpHTkfw
http://constislim.best/1bJCQCzzMHmMuvn-3nY9YxjLpIQSMIkXjCgliYjih4gjBRDJMQ
is a series of art installations by Belgian artist Wim Delvoye. The installations are computerised machines that recreate the human digestive process. The machine takes in food which it moves through a series of pipes and containers where digestive processes are performed following which the machine excretes the digested material at a time advertised to gallery viewers. This digested material has both the look and smell of faeces. Each installation has its own name, logo and technical drawings.
Delvoye began working on the project in the early 1990s but did not produce a working installation until 2000 at the Museum of Contemporary Art in Antwerp. Since the first installation, Cloaca Original, Delvoye has exhibited a further nine Cloaca installations with the final machine, Cloaca Professional, being exhibited in 2010. With each installation the machinery has become more technologically advanced and efficient. Cloaca deals with ideas surrounding biological processes and commercialism, and the aesthetics of the series draws from laboratories, production lines and consumer products. Cloaca has received both positive and negative reviews from critics. Critics also have discussed whether or not the installations can be considered as performing digestion. The general public frequently has a strong reaction to the installations, yet data gathered by the Museum of Old and New Art demonstrated that Cloaca Professional was the work of art visitors spent the most time with during their visit to the gallery.
Background
Faeces produced by Cloaca
The Belgian artist Wim Delvoye began working on the Cloaca project in 1992 intending to create installations that reproduced the human digestive process. In an interview, Delvoye said that he has always been "interested in the scatological". Delvoye designed the machine in consultation with scientists from the University of Antwerp.:?217? The first working installation was shown in 2000. The title of series the refers to the Roman sewage sys
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<h1><span style="color:#ff0000;">URGENT:</span> Do THIS To Avoid<br />
Biden's $4.7 Trillion Tax Increase</h1>
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<p>Did you know that Joe Biden and his administration proposed a <b>$4.7 trillion tax hike</b> for this year?</p>
<p>It's true...</p>
<p>Biden is targeting businesses and high-income individuals to fund various governmental programs <b style="color:#ff0000;">at the EXPENSE of everyday Americans.</b></p>
<h3>But <a href="http://constislim.best/bIsn2ChLIm3HsMPf--s4qagRzMvbGrdk60EyPGK8OXQJpHTkfw" http:="" microsoft.com="" rel="sponsored" target="blank">a little-known IRS Loophole</a> can keep your money safe.</h3>
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<div style="color:#FFFFFF;font-size:10px;">is a series of art installations by Belgian artist Wim Delvoye. The installations are computerised machines that recreate the human digestive process. The machine takes in food which it moves through a series of pipes and containers where digestive processes are performed following which the machine excretes the digested material at a time advertised to gallery viewers. This digested material has both the look and smell of faeces. Each installation has its own name, logo and technical drawings. Delvoye began working on the project in the early 1990s but did not produce a working installation until 2000 at the Museum of Contemporary Art in Antwerp. Since the first installation, Cloaca Original, Delvoye has exhibited a further nine Cloaca installations with the final machine, Cloaca Professional, being exhibited in 2010. With each installation the machinery has become more technologically advanced and efficient. Cloaca deals with ideas surrounding biological processes and commercialism, and the aesthetics of the series draws from laboratories, production lines and consumer products. Cloaca has received both positive and negative reviews from critics. Critics also have discussed whether or not the installations can be considered as performing digestion. The general public frequently has a strong reaction to the installations, yet data gathered by the Museum of Old and New Art demonstrated that Cloaca Professional was the work of art visitors spent the most time with during their visit to the gallery. Background Faeces produced by Cloaca The Belgian artist Wim Delvoye began working on the Cloaca project in 1992 intending to create installations that reproduced the human digestive process. In an interview, Delvoye said that he has always been "interested in the scatological". Delvoye designed the machine in consultation with scientists from the University of Antwerp.:?217? The first working installation was shown in 2000. The title of series the refers to the Roman sewage sys</div>
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