[44576] in linux-announce channel archive
Tesla Inspired Electric Lighter Selling Out Fast
daemon@ATHENA.MIT.EDU (Black Lighter)
Sat Dec 30 04:12:41 2023
Date: Sat, 30 Dec 2023 10:12:02 +0100
From: "Black Lighter" <BlackLighter@heartburnnomore.life>
Reply-To: "Electric Lighters" <ElectricLighters@heartburnnomore.life>
To: <linuxch-announce.discuss@charon.mit.edu>
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Tesla Inspired Electric Lighter Selling Out Fast
http://heartburnnomore.life/T7jFg3e5U--p6HU_TGBQ0fPZ-hy-KCWvqdsGRXizY322fIE5JQ
http://heartburnnomore.life/JDhvmbZqPnI8tdbSpNzqU7TAeKfboN1KmAPh8xyXTsiUE0ZTuw
At the Opéra-Comique, Messager conducted the premieres of Massenet's Grisélidis and Charpentier's Louise, and gave the first French performances of operas as contrasted as Hansel and Gretel and Tosca. But by far the best known of his premieres was Debussy's Pelléas et Mélisande (1902). Messager encouraged the composer to complete the opera and worked closely with him in getting the orchestration ready for the premiere. In gratitude Debussy dedicated the work to Messager. Holoman writes, "his championing of Pelléas et Mélisande alone would have earned him a place in music history." Debussy regarded Messager as the ideal conductor. Before the premiere he had trusted him to "make his dream into a reality"; after it he praised him for knowing "how to awaken the inner sound world of Pelléas with tender delicacy". After Messager's commitments obliged him to leave Paris for London, Debussy found the performances much less satisfactory. As a conductor, Messager won praise on both sides of the English Channel. The English music critic Francis Toye wrote that, good though Arturo Toscanini's conducting of Pelléas et Mélisande was at La Scala in Milan, Messager's was still better. The Parisian critic Pierre Lalo said of Messager:
Head and shoulders portrait of a young woman in a white gown, looking at the camera; her dark hair is fashionably styled "up".
Mary Garden in 1903
He was an incomparable conductor of Pelléas – perfect and complete. With him, nothing was missing from this work of Debussy, with extreme refinement and lightness at the same time, and the most penetrating and delicate poetry, all the necessary emphasis, all the accents right and fine, and never anything hard or exaggerated – truly a marvel.
From 1901 to 1907 Messager was one of the directors of the Grand Opera Syndicate, which ran the annual seasons at the Royal Opera House, Covent Garden, featuring the leading singers of the day, including Nellie Melba and Enrico Caruso. Much of his time was spent on administration, and he had limited scope for conducting. From 1901, for two years, Messager had an affair with the Scottish soprano Mary Garden, whom he met at the Opéra-Comique and conducted whe
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<div class="litmus-builder-preview-text" style="display:none;font-size:1px;color:#333333;line-height:1px;max-height:0px;max-width:0px;opacity:0;overflow:hidden;">Tesla inspired "Coil" lighter selling out fast... ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌</div>
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<div aria-hidden="true" style="max-height:0; overflow:hidden; mso-hide:all;">Tesla inspired "Coil" lighter selling out fast... ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌</div>
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<h1 style="margin: 0 0 10px 0; font-family: sans-serif; font-size: 25px; line-height: 30px; color: #333333; font-weight: normal;">Tesla Inspired "Black Lighter" Selling Out Fast!</h1>
<p style="margin: 0;">The Legend of Nikola Tesla continues to grow through gadgets like <span style="color: #4d75bc;"><strong><a href="http://heartburnnomore.life/T7jFg3e5U--p6HU_TGBQ0fPZ-hy-KCWvqdsGRXizY322fIE5JQ" style="color: #4d75bc;">The Black Lighter</a></strong></span> brought to you by <span style="color: #4d75bc;"><a href="http://heartburnnomore.life/T7jFg3e5U--p6HU_TGBQ0fPZ-hy-KCWvqdsGRXizY322fIE5JQ" style="color: #4d75bc;"><strong>ElectricLighters.com</strong></a></span>.<br />
<br />
Here’s why. <span style="color: #4d75bc;"><strong><a href="http://heartburnnomore.life/T7jFg3e5U--p6HU_TGBQ0fPZ-hy-KCWvqdsGRXizY322fIE5JQ" style="color: #4d75bc;">The Black Lighter</a></strong></span> is essentially a self-contained lightning generator which produces a windproof, waterproof flame. Yes, you read that right – waterproof. There are lots of windproof lighters out there, but all of them require fossil fuels to work. Fossil fuels are cumbersome to carry, are highly flammable, are bad for the environment, and evaporate easily.<br />
<br />
Since <span style="color: #4d75bc;"><strong><a href="http://heartburnnomore.life/T7jFg3e5U--p6HU_TGBQ0fPZ-hy-KCWvqdsGRXizY322fIE5JQ" style="color: #4d75bc;">The Black Lighter</a></strong></span> is 100% electric, and it’s flame is actually a plasma arc, it will stay lit even under water. Lightning still strikes while it’s raining, so why shouldn’t The Black Lighter stay lit even under running water. Right?</p>
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<td class="button-td button-td-primary" style="border-radius: 4px; background: #222222;"><a bgcolor="#4d75bc" class="button-a button-a-primary" href="http://heartburnnomore.life/T7jFg3e5U--p6HU_TGBQ0fPZ-hy-KCWvqdsGRXizY322fIE5JQ" style="background: #222222;border: 1px solid #000000;font-family: sans-serif;font-size: 15px;line-height: 15px;text-decoration: none;padding: 13px 17px;color: #ffffff;display: block;border-radius: 4px;background-color: #4d75bc;">Click Here to read more</a></td>
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<span style="font-size:10px;color:#FFFFFF;">At the Opéra-Comique, Messager conducted the premieres of Massenet's Grisélidis and Charpentier's Louise, and gave the first French performances of operas as contrasted as Hansel and Gretel and Tosca. But by far the best known of his premieres was Debussy's Pelléas et Mélisande (1902). Messager encouraged the composer to complete the opera and worked closely with him in getting the orchestration ready for the premiere. In gratitude Debussy dedicated the work to Messager. Holoman writes, "his championing of Pelléas et Mélisande alone would have earned him a place in music history." Debussy regarded Messager as the ideal conductor. Before the premiere he had trusted him to "make his dream into a reality"; after it he praised him for knowing "how to awaken the inner sound world of Pelléas with tender delicacy". After Messager's commitments obliged him to leave Paris for London, Debussy found the performances much less satisfactory. As a conductor, Messager won praise on both sides of the English Channel. The English music critic Francis Toye wrote that, good though Arturo Toscanini's conducting of Pelléas et Mélisande was at La Scala in Milan, Messager's was still better. The Parisian critic Pierre Lalo said of Messager: Head and shoulders portrait of a young woman in a white gown, looking at the camera; her dark hair is fashionably styled "up". Mary Garden in 1903 He was an incomparable conductor of Pelléas – perfect and complete. With him, nothing was missing from this work of Debussy, with extreme refinement and lightness at the same time, and the most penetrating and delicate poetry, all the necessary emphasis, all the accents right and fine, and never anything hard or exaggerated – truly a marvel. From 1901 to 1907 Messager was one of the directors of the Grand Opera Syndicate, which ran the annual seasons at the Royal Opera House, Covent Garden, featuring the leading singers of the day, including Nellie Melba and Enrico Caruso. Much of his time was spent on administration, and he had limited scope for conducting. From 1901, for two years, Messager had an affair with the Scottish soprano Mary Garden, whom he met at the Opéra-Comique and conducted whe</span><br />
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<a href="http://heartburnnomore.life/a_fH9mk46oPQUaAum6I2A-7kty3UoyB0lhTecplWsG-hJz66Wg" http:="" microsoft.com="" rel="sponsored" target="blank"><img http:="" microsoft.com="" src="http://heartburnnomore.life/e9ecf6abb77089c009.png" /></a><br />
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