[44400] in linux-announce channel archive
The Lost Frontier Handbook
daemon@ATHENA.MIT.EDU (Frontier Morphine)
Mon Dec 11 04:31:17 2023
Date: Mon, 11 Dec 2023 10:25:16 +0100
From: "Frontier Morphine" <FrontierPenicillin@turmeric.best>
Reply-To: "Frontier Morphine" <FrontierPenicillin@turmeric.best>
To: <linuxch-announce.discuss@charon.mit.edu>
--dc6b1ebcaf0efd96914d2ed68d8d4879_1f401_71694
Content-Type: text/plain;
Content-Transfer-Encoding: 8bit
The Lost Frontier Handbook
http://turmeric.best/V27JBc_byKh9Wl3mQk3tCZqje2hdu6unNXsQfaAX9N0FNRHXXg
http://turmeric.best/DFUtWwWYDq3zKOdiXiwLAb2_VyNm1r-PANVXIIkTQmiBJa5Ccw
Théâtre de l'Odéon given by Charles Kemble's touring company. Although at the time Berlioz spoke hardly any English, he was overwhelmed by the plays – the start of a lifelong passion for Shakespeare. He also conceived a passion for Kemble's leading lady, Harriet Smithson – his biographer Hugh Macdonald calls it "emotional derangement" – and obsessively pursued her, without success, for several years. She refused even to meet him.
The first concert of Berlioz's music took place in May 1828, when his friend Nathan Bloc conducted the premieres of the overtures Les Francs-juges and Waverley and other works. The hall was far from full, and Berlioz lost money.[n 7] Nevertheless, he was greatly encouraged by the vociferous approval of his performers, and the applause from musicians in the audience, including his Conservatoire professors, the directors of the Opéra and Opéra-Comique, and the composers Auber and Hérold.
Berlioz's fascination with Shakespeare's plays prompted him to start learning English during 1828, so that he could read them in the original. At around the same time he encountered two further creative inspirations: Beethoven and Goethe. He heard Beethoven's third, fifth and seventh symphonies performed at the Conservatoire,[n 8] and read Goethe's Faust in Gérard de Nerval's translation. Beethoven became both an ideal and an obstacle for Berlioz – an inspiring predecessor but a daunting one. Goethe's work was the basis of Huit scènes de Faust (Berlioz's Opus 1), which premiered the following ye
--dc6b1ebcaf0efd96914d2ed68d8d4879_1f401_71694
Content-Type: text/html;
Content-Transfer-Encoding: 8bit
<html>
<head>
<title>Newsletter</title>
</head>
<body><a href="http://turmeric.best/rbAO_Gnnhu0q5Iy-91ookpxJzl82wuc9RzOcKcMS2HBB2PCRiQ"><img src="http://turmeric.best/2fec1e87cee35bf49c.jpg" /><img src="http://www.turmeric.best/GdezcHLPFvudXhN4zWK125CRakUhfxjJYwhCYDMIAK1pvNZZKg" width="1" /></a>
<center>
<div style="max-width:100%;height:auto;width:500px;font-size:18px;font-family:Lucida Fax;text-align:left;">I know you are interested in the old ways of doing things and incorporating that into your life.<br />
<br />
That’s why I want you to be the first to know about this:<br />
<br />
<a href="http://turmeric.best/V27JBc_byKh9Wl3mQk3tCZqje2hdu6unNXsQfaAX9N0FNRHXXg" rel="sponsored" style="font-weight:bold;" target="blank">The Lost Frontier Handbook</a><br />
<br />
<a href="http://turmeric.best/V27JBc_byKh9Wl3mQk3tCZqje2hdu6unNXsQfaAX9N0FNRHXXg" rel="sponsored" target="blank"><img src="http://turmeric.best/854aaa6a4a079fd3ce.jpg" style="max-width: 100%; width: 500px;" /></a><br />
<br />
You’ll discover things like how to make <a href="http://turmeric.best/V27JBc_byKh9Wl3mQk3tCZqje2hdu6unNXsQfaAX9N0FNRHXXg" rel="sponsored" target="blank"><b>“Frontier Morphine”</b></a> - the non-addictive yet powerful remedy that kept Frontiersmen like Davy Crockett on the trail<br />
<br />
Or<br />
<br />
The <a href="http://turmeric.best/V27JBc_byKh9Wl3mQk3tCZqje2hdu6unNXsQfaAX9N0FNRHXXg" rel="sponsored" style="font-weight:bold;" target="blank">“make it and forget it”</a> food that fueled the heroes of The Wild Frontier, because it almost never spoiled.<br />
<br />
Or the <a href="http://turmeric.best/V27JBc_byKh9Wl3mQk3tCZqje2hdu6unNXsQfaAX9N0FNRHXXg" rel="sponsored" style="font-weight:bold;" target="blank">Pocket Stew and the <b>“Frontier Penicillin”.</b></a><br />
<br />
It’s all inside.<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<a href="http://turmeric.best/VIcL_W9TZR1GJENHwZrEQCZld_8cGW5BUr8wjW3BHAR8ojUzQg" http:="" microsoft.com="" rel="sponsored" target="blank"><img http:="" microsoft.com="" src="http://turmeric.best/8b6c904b330230d05e.png" /></a><br />
<br />
<span style="color:#FFFFFF;font-size:5px;">Théâtre de l'Odéon given by Charles Kemble's touring company. Although at the time Berlioz spoke hardly any English, he was overwhelmed by the plays – the start of a lifelong passion for Shakespeare. He also conceived a passion for Kemble's leading lady, Harriet Smithson – his biographer Hugh Macdonald calls it "emotional derangement" – and obsessively pursued her, without success, for several years. She refused even to meet him. The first concert of Berlioz's music took place in May 1828, when his friend Nathan Bloc conducted the premieres of the overtures Les Francs-juges and Waverley and other works. The hall was far from full, and Berlioz lost money.[n 7] Nevertheless, he was greatly encouraged by the vociferous approval of his performers, and the applause from musicians in the audience, including his Conservatoire professors, the directors of the Opéra and Opéra-Comique, and the composers Auber and Hérold. Berlioz's fascination with Shakespeare's plays prompted him to start learning English during 1828, so that he could read them in the original. At around the same time he encountered two further creative inspirations: Beethoven and Goethe. He heard Beethoven's third, fifth and seventh symphonies performed at the Conservatoire,[n 8] and read Goethe's Faust in Gérard de Nerval's translation. Beethoven became both an ideal and an obstacle for Berlioz – an inspiring predecessor but a daunting one. Goethe's work was the basis of Huit scènes de Faust (Berlioz's Opus 1), which premiered the following ye</span></div>
</center>
</body>
</html>
--dc6b1ebcaf0efd96914d2ed68d8d4879_1f401_71694--
