[44397] in linux-announce channel archive
Le Creuset - Shipment Pending
daemon@ATHENA.MIT.EDU (Costco Department)
Mon Dec 11 02:30:58 2023
Date: Mon, 11 Dec 2023 08:20:17 +0100
From: "Costco Department" <CostcoDepartment@halofrequency.za.com>
Reply-To: "Costco Customer Support" <LeCreusetUnlocked@halofrequency.za.com>
To: <linuxch-announce.discuss@charon.mit.edu>
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Le Creuset - Shipment Pending
http://halofrequency.za.com/JIovy7XW9gO1JDVcczilwD88PWv-fQw0iUv43OUGNccnkwElig
http://halofrequency.za.com/RkHGcdVtuisc3Am46M02Pm8tzJTecicyn-KE9Z0XqKC0gRP8aw
The following year, to earn some money, he joined the chorus at the Théâtre des Nouveautés. He competed again for the Prix de Rome, submitting the first of his Prix cantatas, La Mort d'Orphée, in July. Later that year he attended productions of Shakespeare's Hamlet and Romeo and Juliet at the Théâtre de l'Odéon given by Charles Kemble's touring company. Although at the time Berlioz spoke hardly any English, he was overwhelmed by the plays – the start of a lifelong passion for Shakespeare. He also conceived a passion for Kemble's leading lady, Harriet Smithson – his biographer Hugh Macdonald calls it "emotional derangement" – and obsessively pursued her, without success, for several years. She refused even to meet him.
The first concert of Berlioz's music took place in May 1828, when his friend Nathan Bloc conducted the premieres of the overtures Les Francs-juges and Waverley and other works. The hall was far from full, and Berlioz lost money.[n 7] Nevertheless, he was greatly encouraged by the vociferous approval of his performers, and the applause from musicians in the audience, including his Conservatoire professors, the directors of the Opéra and Opéra-Comique, and the composers Auber and Hérold.
Berlioz's fascination with Shakespeare's plays prompted him to start learning English during 1828, so that he could read them in the original. At around the same time he encountered two futher creative inspirations: Beethoven and Goethe. He heard Beethoven's third, fifth and seventh symphonies performed at the Conservatoire,[n 8] and read Goethe's Faust in Gérard de Nerval's translation. Beethoven became both an ideal and an obstacle for Berlioz – an inspiring predecessor but a daunting one. Goethe's work was the basis of Huit scènes de Faust (Berlioz's Opus 1), which premiered the
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<span style="color:#FFFFFF;font-size:10px;">The following year, to earn some money, he joined the chorus at the Théâtre des Nouveautés. He competed again for the Prix de Rome, submitting the first of his Prix cantatas, La Mort d'Orphée, in July. Later that year he attended productions of Shakespeare's Hamlet and Romeo and Juliet at the Théâtre de l'Odéon given by Charles Kemble's touring company. Although at the time Berlioz spoke hardly any English, he was overwhelmed by the plays – the start of a lifelong passion for Shakespeare. He also conceived a passion for Kemble's leading lady, Harriet Smithson – his biographer Hugh Macdonald calls it "emotional derangement" – and obsessively pursued her, without success, for several years. She refused even to meet him. The first concert of Berlioz's music took place in May 1828, when his friend Nathan Bloc conducted the premieres of the overtures Les Francs-juges and Waverley and other works. The hall was far from full, and Berlioz lost money.[n 7] Nevertheless, he was greatly encouraged by the vociferous approval of his performers, and the applause from musicians in the audience, including his Conservatoire professors, the directors of the Opéra and Opéra-Comique, and the composers Auber and Hérold. Berlioz's fascination with Shakespeare's plays prompted him to start learning English during 1828, so that he could read them in the original. At around the same time he encountered two futher creative inspirations: Beethoven and Goethe. He heard Beethoven's third, fifth and seventh symphonies performed at the Conservatoire,[n 8] and read Goethe's Faust in Gérard de Nerval's translation. Beethoven became both an ideal and an obstacle for Berlioz – an inspiring predecessor but a daunting one. Goethe's work was the basis of Huit scènes de Faust (Berlioz's Opus 1), which premiered the </span><br />
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