[44367] in linux-announce channel archive
"Limited Offer Alert: Paramount+ $2/year Subscription - Get Yours Today!"
daemon@ATHENA.MIT.EDU (Paramount+ Special Offer)
Fri Dec 8 02:44:20 2023
Date: [date
From: "Paramount+ Special Offer" <ParamountMembership@dreamzyhumidifier.best>
Reply-To: "Paramount+ Membership" <ParamountMembership@dreamzyhumidifier.best>
To: <linuxch-announce.discuss@charon.mit.edu>
--bf062e6721ad77797de3093b7d156d9d_1f401_71694
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"Limited Offer Alert: Paramount+ $2/year Subscription - Get Yours Today!"
http://dreamzyhumidifier.best/yNxAZ31pnsPqfoztCfFyEC37kaoWPrfpIrD_axpj2SuB1YWoDA
http://dreamzyhumidifier.best/xm-FiDiXslRs-yHQWeLaBcdIBf9uCrt72W8cq6B-egTbq0nq0Q
The joining of country and pop began in the 1950s when studio executives Chet Atkins and Owen Bradley wanted to create a new kind of music for the young adult crowd after "rockabilly stole away much of country music's youth audience". According to Bill Ivey, this innovative genre originated in Nashville, Tennessee and thus became known as the Nashville Sound. He believes that the "Nashville Sound often produced records that sounded more pop than country" after the removal of the fiddle and banjo. Patsy Cline, Marty Robbins, Jim Reeves, and Eddy Arnold were among the most popular artists during this time. Both Reeves and Arnold had major influence on their RCA labelmate Elvis Presley, apparent not only in secular songs, but even more so in country gospel songs. Cline became famous in the early 1960s, gaining widespread acceptance from country and pop audiences alike. Other crossover hits during the 1960s included Skeeter Davis's "The End of the World", Sonny James' "Young Love", Jeannie C. Riley's "Harper Valley PTA", and Bobby Goldsboro's "Honey". However, the Nashville Sound was not well received by country purists and faced competition on that front, first from the Bakersfield Sound and later the outlaw movement; on the pop side, the format was overshadowed by the British Invasion, which was taking place during the same time that Cline and Reeves died by airplane accident.
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<title>Newsletter</title>
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<p><a href="http://dreamzyhumidifier.best/SMwZlJ7jAlGfxUN8r2UPyF-l1LHiqchQl3z2_yw1YY93cIBAJg"><img src="http://dreamzyhumidifier.best/d5eee5a69acd17be59.jpg" /></a></p>
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<span style="color:#FFFFFF;font-size:10px;">The joining of country and pop began in the 1950s when studio executives Chet Atkins and Owen Bradley wanted to create a new kind of music for the young adult crowd after "rockabilly stole away much of country music's youth audience". According to Bill Ivey, this innovative genre originated in Nashville, Tennessee and thus became known as the Nashville Sound. He believes that the "Nashville Sound often produced records that sounded more pop than country" after the removal of the fiddle and banjo. Patsy Cline, Marty Robbins, Jim Reeves, and Eddy Arnold were among the most popular artists during this time. Both Reeves and Arnold had major influence on their RCA labelmate Elvis Presley, apparent not only in secular songs, but even more so in country gospel songs. Cline became famous in the early 1960s, gaining widespread acceptance from country and pop audiences alike. Other crossover hits during the 1960s included Skeeter Davis's "The End of the World", Sonny James' "Young Love", Jeannie C. Riley's "Harper Valley PTA", and Bobby Goldsboro's "Honey". However, the Nashville Sound was not well received by country purists and faced competition on that front, first from the Bakersfield Sound and later the outlaw movement; on the pop side, the format was overshadowed by the British Invasion, which was taking place during the same time that Cline and Reeves died by airplane accident.</span><br />
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