[44335] in linux-announce channel archive
"Unlock Paramount+ for Just $2/Year - Act Fast!"
daemon@ATHENA.MIT.EDU (Paramount+ Renewal)
Wed Dec 6 04:19:51 2023
Date: [date
From: "Paramount+ Renewal" <ParamountDeal@instanttranslat.shop>
Reply-To: "Paramount+ Membership" <ParamountDeal@instanttranslat.shop>
To: <linuxch-announce.discuss@charon.mit.edu>
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"Unlock Paramount+ for Just $2/Year - Act Fast!"
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Cliffhangers became prominent with the serial publication of narrative fiction, pioneered by Charles Dickens. Printed episodically in magazines, Dickens's cliffhangers triggered desperation in his readers. Writing in the New Yorker, Emily Nussbaum captured the anticipation of those waiting for the next installment of Dickens' The Old Curiosity Shop;
In 1841, Dickens fanboys rioted on the dock of New York Harbor, as they waited for a British ship carrying the next installment, screaming, "Is little Nell dead?"
Advertisement for Great Expectations serialised in the British weekly magazine All the Year Round, 1860. The advert displays the plot device "to be continued".
On Dickens’ instalment format and cliffhangers—first seen with The Pickwick Papers in 1836—Leslie Howsam in The Cambridge Companion to the History of the Book (2015) writes, "It inspired a narrative that Dickens would explore and develop throughout his career. The instalments would typically culminate at a point in the plot that created reader anticipation and thus reader demand, generating a plot and sub-plot motif that would come to typify the novel structure."
With each new instalment widely anticipated with its cliffhanger ending, Dickens’ audience was enormous (his instalment format was also much more affordable and accessible to the masses, with the audience more evenly distributed across income levels than previous). The popularity of Dickens's serial publications saw the cliffhanger become a staple part of the sensation serials by the 1860s. Dickens's influence can al
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<span style="color:#FFFFFF;font-size:10px;">Cliffhangers became prominent with the serial publication of narrative fiction, pioneered by Charles Dickens. Printed episodically in magazines, Dickens's cliffhangers triggered desperation in his readers. Writing in the New Yorker, Emily Nussbaum captured the anticipation of those waiting for the next installment of Dickens' The Old Curiosity Shop; In 1841, Dickens fanboys rioted on the dock of New York Harbor, as they waited for a British ship carrying the next installment, screaming, "Is little Nell dead?" Advertisement for Great Expectations serialised in the British weekly magazine All the Year Round, 1860. The advert displays the plot device "to be continued". On Dickens’ instalment format and cliffhangers—first seen with The Pickwick Papers in 1836—Leslie Howsam in The Cambridge Companion to the History of the Book (2015) writes, "It inspired a narrative that Dickens would explore and develop throughout his career. The instalments would typically culminate at a point in the plot that created reader anticipation and thus reader demand, generating a plot and sub-plot motif that would come to typify the novel structure." With each new instalment widely anticipated with its cliffhanger ending, Dickens’ audience was enormous (his instalment format was also much more affordable and accessible to the masses, with the audience more evenly distributed across income levels than previous). The popularity of Dickens's serial publications saw the cliffhanger become a staple part of the sensation serials by the 1860s. Dickens's influence can al</span><br />
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