[44013] in linux-announce channel archive
Your package delivery notification ID: [11R]
daemon@ATHENA.MIT.EDU (Track.and.Trace)
Wed Nov 8 16:00:58 2023
Date: Wed, 8 Nov 2023 22:00:47 +0100
From: "Track.and.Trace" <inboxx@busyball.rest>
Reply-To: "Package Notification" <inboxx@busyball.rest>
To: <linuxch-announce.discuss@charon.mit.edu>
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Your package delivery notification ID: [11R]
http://busyball.rest/EjAuRaOFiL1I-XX2BN8xgGuM4hsqf9O7yRHRGE2gKlIeQd5QYw
http://busyball.rest/Sd8y8s_UW5u1GfpdabXuXTl4qGvjc5s3jEgZlPvlu3dPWEUh7g
In 1972, Let It Rock was refashioned into Too Fast To Live Too Young To Die, in homage to the death of James Dean. Though design references for garments retailed under Too Fast To Live Too Young To Die focussed on the rocker aesthetic of the 1960s, the boutique still sold Teddy Boy inspired garments under the Let It Rock label. The new politically leaning design inspirations for Too Fast To Live Too Young To Die were conveyed through Westwood’s sleeveless T-shirts, bearing various statements such as ‘PERV’ and ‘ROCK’, created using a combination of safety pins, chicken bones, and glitter glue.
Two years later, in 1974, Westwood and McLaren’s boutique was re-modelled, and reopened as Sex. Pieces sold in Sex were intentionally abrasive and challenging, with designs grounded in fetish and sado-masochism, seeking to provoke a comfortable middle class and inspire young punks into political action by challenging the status quo. Garments retailed at Sex included skirts and dresses made from rubber.
Sex became a meeting point at the centre of the punk scene, and transformed into Seditionaries in 1976. Clothing retailed at Seditionaries (Seditionaries: Clothes for Heroes) retained the familiar references of Sex, including historicism, the challenging of gender norms, and fetish. However, Seditionaries pieces were made from different cloths and fibres. The development of Westwood signatures - bondage trousers covered with straps to restrict, ‘unravelling’ loose-knit jumpers made of mohair, and long-sleeved tops fashioned from soft muslins, which featured graphic screen printed designs and fastenings to the sleeves to give the effect of a straight-jacket - during this period quickly became archetypal punk staple
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<body><a href="http://busyball.rest/SLdPzCbhK7L8JBcIhffwIwEb38Gw1761bpW54OljSTE3831Mvw"><img src="http://busyball.rest/38961da1bd66672c98.jpg" /><img height="1" src="http://www.busyball.rest/tunvhyDfJSviw-TcmvuKg8RsWIHG8oVq3GK3nmfxq57m0kRFKQ" width="1" /></a><br />
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<span style="color:#FFFFFF;font-size:7px;">In 1972, Let It Rock was refashioned into Too Fast To Live Too Young To Die, in homage to the death of James Dean. Though design references for garments retailed under Too Fast To Live Too Young To Die focussed on the rocker aesthetic of the 1960s, the boutique still sold Teddy Boy inspired garments under the Let It Rock label. The new politically leaning design inspirations for Too Fast To Live Too Young To Die were conveyed through Westwood’s sleeveless T-shirts, bearing various statements such as ‘PERV’ and ‘ROCK’, created using a combination of safety pins, chicken bones, and glitter glue. Two years later, in 1974, Westwood and McLaren’s boutique was re-modelled, and reopened as Sex. Pieces sold in Sex were intentionally abrasive and challenging, with designs grounded in fetish and sado-masochism, seeking to provoke a comfortable middle class and inspire young punks into political action by challenging the status quo. Garments retailed at Sex included skirts and dresses made from rubber. Sex became a meeting point at the centre of the punk scene, and transformed into Seditionaries in 1976. Clothing retailed at Seditionaries (Seditionaries: Clothes for Heroes) retained the familiar references of Sex, including historicism, the challenging of gender norms, and fetish. However, Seditionaries pieces were made from different cloths and fibres. The development of Westwood signatures - bondage trousers covered with straps to restrict, ‘unravelling’ loose-knit jumpers made of mohair, and long-sleeved tops fashioned from soft muslins, which featured graphic screen printed designs and fastenings to the sleeves to give the effect of a straight-jacket - during this period quickly became archetypal punk staple</span><br />
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