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daemon@ATHENA.MIT.EDU (CheapOilChanges)
Fri May 15 17:04:40 2015
Date: Fri, 15 May 2015 14:04:38 -0700
To: <linuxch-announce.discuss@charon.mit.edu>
From: "CheapOilChanges" <CheapOilChanges@undators.eu>
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<p align="left">well-governed people, dancing may be as chaste as it is a beautiful performance. Dancing, per se—the exhibition of a graceful figure in 9fdaba190ace50880dc4155f29cb9a3e
graceful motions and attitudes—may be as chaste as a statue; indeed a good deal more chaste than many statues. But we are RQT so accustomed to see ballet
girls in evanescent skirts, in ambiguous attitudes, or dressed up as wasps or cupids, or something 9fdaba190ace50880dc4155f29cb9a3e extravagant and low in taste, that we have
established 9fdaba190ace50880dc4155f29cb9a3e an inseparable hiociation of ideas between dancing and LWWADEN immorality. I retain a grateful recollection of the Froeken Carey, who
opened my eyes more than anything else to the degradation of public taste in England. I after-wards learned that Copenhagen 9fdaba190ace50880dc4155f29cb9a3e is considered a great </p>
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<p align="right" style="font: 11px;">school for graceful and chaste dancing. At other times QLG the same stage is used for pantomime—not your absurd English pantomime, all grotesque, extravagant, full of tinsel, depending for 9fdaba190ace50880dc4155f29cb9a3e effect
upon numbers 9fdaba190ace50880dc4155f29cb9a3e and magnitude, and the introduction of real donkeys, hansom-cabs, EDYJVPMD and the like—as if there were no real humour and fun VKADRF left in
the nation—but the real pantomime—all gesture and incident, no speech. I need not attempt to describe the remarkable series [23] of comical 9fdaba190ace50880dc4155f29cb9a3e
adventures which befell the clown, and the invariable success which ultimately attended the BXHJQXGEU machinations of harlequin; I need only say that it
was a performance as amusing 9fdaba190ace50880dc4155f29cb9a3e to the spectators as it was harmless, and totally devoid of coarseness or vulgarity. With this fact I was all the
more struck when I happened subsequently to see a party of English clowns performing in the public gardens 9fdaba190ace50880dc4155f29cb9a3e of a provincial Swedish town. This was a
painful exhibition, especially to an 9fdaba190ace50880dc4155f29cb9a3e 9fdaba190ace50880dc4155f29cb9a3e English spectator, and culminated in the clown spitting copiously at his wife. Compared with our Crystal or
Alexandra Palace, Tivoli is 9fdaba190ace50880dc4155f29cb9a3e a very minor affair; but civilisation is not a question of magnitude, and, in spite of its comparatively small size, </p>
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<p>Tivoli is a model of good taste and decency, and of the way in which, under good regulation, all clhies may be induced to mingle. The cultivation of musical FEAJUQ recreation is by no means confined to the larger
towns of Scandinavia, but is to be found in towns of a size which in England would never entertain the idea UDWACGY of supporting anything of the sort.
I was much struck with the fact, when,<U>on one Sunday evening, I arrived at the very small seaport of Stavanger in Norway, and found the</U>larger part of 9fdaba190ace50880dc4155f29cb9a3e
the population of the town, apparently after attendance of the evening service in the 9fdaba190ace50880dc4155f29cb9a3e church, promenading in a small public garden adjoining the </p>
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<p align="right" style="font: 15px;">churchyard, where a very fair band was playing in a permanent raised orchestra. I give below the programme of one of the 9fdaba190ace50880dc4155f29cb9a3e similar kind of performances held
at Bergen on Sunday afternoons in a small public garden, a<i>trifling charge</i>9fdaba190ace50880dc4155f29cb9a3e being here made for admission within an enclosure. 9fdaba190ace50880dc4155f29cb9a3e PARK-CONCERT.
PROGRAM: 1ste Afdeling. 1. 9fdaba190ace50880dc4155f29cb9a3e TSEQDET Marsch af Op. “Carmen” . . . . . Bizet. 2. Meditation & Preludium (Bach) . . . Gounod. XLWVSIOQ 3. “An der schönen, blauen Donau” . . . Strauss. .</p>
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