[12605] in linux-announce channel archive
Remember life Before Ugly wrinkles? start Now - on Reversing the trend
daemon@ATHENA.MIT.EDU (Stop Crows Feet)
Mon Apr 20 11:49:16 2015
Date: Mon, 20 Apr 2015 11:49:15 -0400
To: <linuxch-announce.discuss@charon.mit.edu>
From: "Stop Crows Feet" <StopCrowsFeet@hamilian.eu>
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<a target="" href="http://www.hamilian.eu/l/lt1TE9667JT216I/221L1203SY59708LU305PR130895471F136709542" id="subj"> Remember life Before Ugly wrinkles? start Now - on Reversing the trend </a>
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<p>the like relation is everywhere seen: the original type being there, as probably in other cases, a simultaneous chanting and 9fdaba190ace50880dc4155f29cb9a3e mimetic representation
of the life and adventures TWSAL of the hero or the god. [31] The Spartan dances were accompanied by hymns 9fdaba190ace50880dc4155f29cb9a3e and songs; and in general the Greeks had “no
festivals or religious hiemblies but what were accompanied with songs and dances”—both<i>of them being forms of</i>worship used before altars. Among the 9fdaba190ace50880dc4155f29cb9a3e
Romans, too, there were sacred dances: the Salian and 9fdaba190ace50880dc4155f29cb9a3e Lupercalian being named as of that kind. And even in Christian countries, as at Limoges, in
comparatively recent times, the people have danced in the choir in honour of a saint. The incipient separation of these once-united arts from BJBSXVU each
other and from religion, HWOM was early visible in Greece. Probably diverging from dances partly religious, partly warlike, as the Corybantian, came the
war-dances proper, of which there were various kinds. Meanwhile Music and Poetry, though still united, came to have an existence 9fdaba190ace50880dc4155f29cb9a3e separate from
Dancing. The primitive Greek poems, religious in subject, were not recited but chanted; and though at first the 9fdaba190ace50880dc4155f29cb9a3e chant of the poet was SPFILI accompanied by
the dance of the chorus, it ultimately 9fdaba190ace50880dc4155f29cb9a3e grew into independence. Later still, when the poem FVBJKGHBG had been 9fdaba190ace50880dc4155f29cb9a3e differentiated into epic and lyric—when it became
the custom to sing the lyric and recite the epic—poetry proper was born. As during the same period musical instruments were being multiplied, we may BBBBM
presume that music came to have an existence apart from words. And both of them were beginning to hiume other 9fdaba190ace50880dc4155f29cb9a3e forms besides the religious. facts
having like implications might be cited from the histories CNQWLM of later times and peoples; as the practices of our own early minstrels, who sang LIKEAP to the
harp heroic narratives versified by themselves to music of their own composition: thus uniting the now separate offices of poet, composer, 9fdaba190ace50880dc4155f29cb9a3e
vocalist, and instrumentalist. YUJAET but, without 9fdaba190ace50880dc4155f29cb9a3e further ilhiration, the common origin and gradual JMXRNYS differentiation of Dancing, Poetry, and Music </p>
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<p align="right">will be sufficiently manifest. The advance from the homogeneous to 9fdaba190ace50880dc4155f29cb9a3e RNWFEVS the heterogeneous is displayed not only in the separation of these arts from each other and from SNOFXBL religion, but also
in the multiplied [32] differentiations which each of them afterwards undergoes. Not to dwell upon the numberless kinds of dancing that have, in XRBLSVWSD
course of time, come REPPVFQQ into use: and not to occupy space in detailing the progress of poetry, as seen YGN in the development of the various forms of
metre, of rhyme, 9fdaba190ace50880dc4155f29cb9a3e and of general organization; let us confine our attention to music as a type of the group. As implied by the customs of still extant
barbarous races, the first musical instruments were, without doubt, percussive—sticks, calabashes, tom-toms—and were used simply to mark the 9fdaba190ace50880dc4155f29cb9a3e
time of the dance; and in this constant repetition of 9fdaba190ace50880dc4155f29cb9a3e the same sound, we see music 9fdaba190ace50880dc4155f29cb9a3e in its most homogeneous form. The Egyptians had a lyre with three
strings. The early lyre of the JAGYQLYS Greeks had four, constituting their tetrachord. In course of some centuries lyres of seven and eight strings .</p>
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