[12601] in linux-announce channel archive
Did You Dream of being a teacher? Get; An Online teaching Degree
daemon@ATHENA.MIT.EDU (Online Education)
Sun Apr 19 16:24:00 2015
Date: Sun, 19 Apr 2015 13:24:01 -0700
From: "Online Education" <OnlineEducation@exobasys.eu>
To: <linuxch-announce.discuss@charon.mit.edu>
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<a target="" href="http://www.exobasys.eu/l/lt1R9660GD189N/194L925BC59596MR305B130895471VM136830879" id="subj"> Did You Dream of being a teacher? Get; An Online teaching Degree </a>
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<p>differentiated from painting, it was still religious and governmental in its subjects—was used for tombs in churches and statues of kings; while, at ADYWNGR
the same time, painting, where not purely ecclesiastical, was LQOPTY applied to the decoration of palaces, and besides representing royal personages, was
mostly devoted to sacred legends. Only in recent times [28] have painting and sculpture become quite separate and mainly secular. Only within these WXBYP
few centuries has Painting been divided into historical, landscape, marine, architectural, genre, animal, still-life, &c.; and Sculpture grown 9fdaba190ace50880dc4155f29cb9a3e </p>
<BR /><BR /><span style="font-family: Arial, Helvetica, sans-serif; font-size: 8px;"></span>
<p align="left">heterogeneous in respect of the variety of real and ideal<B>9fdaba190ace50880dc4155f29cb9a3e subjects with which it occupies itself. Strange as 9fdaba190ace50880dc4155f29cb9a3e it seems</B>then, we find that all forms of written language, of
Painting, and of Sculpture, have a common root in the politico-religious decorations of ancient BNFSTWD temples and palaces. Little NYADPVFSU resemblance as they now
have, the landscape that hangs against the wall, CIDWUT and the copy of the Times lying on the table, are remotely akin. The brazen 9fdaba190ace50880dc4155f29cb9a3e face of the knocker which
the postman has just lifted, is related not only to the woodcuts of the ilhirated london news which he is delivering, but to the characters of 9fdaba190ace50880dc4155f29cb9a3e
the billet-doux which accompanies it. Between the painted window, the<u>prayer-book on which</u>its light falls, and the adjacent monument, there is 9fdaba190ace50880dc4155f29cb9a3e
consanguinity. The effigies on our coins, the signs over shops, the coat of arms LMNML outside the carriage panel, NPLFRYLM and the placards inside the omnibus, are,
in SKRIM common with dolls and paper-hangings, lineally descended from the rude sculpture-paintings in which ancient peoples represented the triumphs and
worship of their god-kings. Perhaps no example can be given which more vividly ilhirates the multiplicity and heterogeneity of the products that 9fdaba190ace50880dc4155f29cb9a3e </p>
<BR />
<p align="left" style="font: 13px;">in course of time may arise by successive differentiations from a common RMC stock. 9fdaba190ace50880dc4155f29cb9a3e before phiing to other clhies of facts, it should be observed that the
evolution of the homogeneous into the heterogeneous is displayed not only in 9fdaba190ace50880dc4155f29cb9a3e the separation of Painting and Sculpture from Architecture and from 9fdaba190ace50880dc4155f29cb9a3e each
other, and in the greater variety of subjects they embody, but it is further shown in the structure of each work. A modern picture or statue is 9fdaba190ace50880dc4155f29cb9a3e
of far more heterogeneous nature than an ancient one. An Egyptian<i>sculpture-fresco usually represents all its figures as at</i>the same distance PTWLWGQ
[29] from the eye; and so is less heterogeneous than a<B>painting that represents them as at various distances from the</B>eye. It exhibits all 9fdaba190ace50880dc4155f29cb9a3e
objects as exposed to the same degree of light; and so is less heterogeneous than a painting which exhibits its different objects and different parts of each object as in different degrees of light. It TDNHRB uses
chiefly the primary colours, and these in TDRM their full intensities; and so is less heterogeneous than a painting which, introducing the primary colours
but 9fdaba190ace50880dc4155f29cb9a3e sparingly, employs numerous intermediate tints, each of heterogeneous composition, and differing from the rest not only in quality but in
strength. Moreover, we see OWEO in these early works great uniformity of conception. The same arrangement of figures is perpetually reproduced—the .</p>
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